New Classical Composition
2019 | Movement Concerto for Glasgow Improvisers Orchestra | |
2017 | Arctic Diary for solo cello and electronics, Highlight Arts commission. Performed at Glasgow CCA, April 2017, An Crubh, Skye and Eden Court, Inverness, December 2017. | |
2015 | Universal Grammar, performed by Glasgow Improvisers Orchestra at GIOfest 2015 | |
2015 | Gaea Metempsychosis for string quartet performed at the Scottish Storytelling Centre, Edinburgh | |
2011-2014 | performances by the Red Note Ensemble at the Traverse Theatre, Edinburgh, and Summerhall, Edinburgh ‘Gaea Metempsychosis’ for string quartet, 2014 ‘Cantos XXII’ for two cellos and synthesiser, 2014 I met you here for violin, cello, and bassoon, Noisy Nights, 2012 Maybe this is what it feels like when you sitting by the beach surrounded by the dead things for three cellos, Noisy Nights, 2011 | |
2012 | If I can see you – a contemporary piece for a large orchestra | |
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Film and TV Scores
2019 | Pity Party by Paul Black, BBC Scotland Production | |
2018 | Sling Shot by Robin Haig, screened at Dallas International Film Festival, Cromarty Short Film Festival, Glasgow Short Film Festival. | |
2018 | The Mirror by Rob Zyweitz | |
2018 | Iroka, online advertisement for Avex, Japan | |
2017 | Have Heart by Will Anderson, nominee BAFTA 2018 | |
2015 | I Am Not by Rosie Toner | |
2015 | The Violinist by Sergio Mangas. Winner Best Composer BAFTA Scotland New Talent Awards 2016 | |
2014 | Pikadero by Ben Sharrock. Nominee Best New Director San Sebastién International Film Festival 2015 | |
2014 | Monkey Love Experiments by Will Anderson & Ainslie Henderson. Winner of Best Short Animation BAFTA Scotland 2014, nominee Best Short Animation BAFTA 2015 | |
2014 | String arrangements for German feature film Die abhandene Welt by Margarethe von Trotta | |
2013 | 49, Republic of Malek, original score for a short documentary by Dorota Gaszczac | |
2013 | The Making of Long Bird by Will Anderson. Winner Best Short Animation BAFTA 2013 | |
2012 | Teaparty by Vitali Schenava, ECA animation | |
2011 | Original score for Cinéconcert: Hiroshima Mon Amour by Alain Resnais. French Institute of Scotland comission, premiered at Summerhall, Edinburgh Fringe Festival | |
2011 | Sound Explosion music video directed by Will Anderson, showcased at the Edinburgh International Film Festival | |
2009 | FeltusFeltus HZ-Kino by Joseph Feltus and Tobias Feltus, premiered at Whitecross Gallery, London. Shown at the Cannes Film Festival, 2010 | |
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Theatre Scores
2022 | Deep Wheel Orcadia, a live string quartet soundtrack to accompany Harry Josephine Giles sci-fi novel of the same title. Commissioned by and performed at the Edinburgh International Book Festival 2022 | |
2022 | Come and Go, a soundtrack for physical theatre piece by Helena Salgueiro, inspired by Samuel Becket’s piece of the same title | |
2020 – 2021 | (dis)sonance, a dance and music piece in collaboration with Olga Kay. Dancebase Residency in October 2021. | |
2019 | Impromptu, an improvised dance and music piece in collaboration with Olga Kay. Performed at Festival of Multiculturism, Edinburgh. | |
2018 | An original score for a untitled residency sharing with Mhairi Allan, Citymoves, Aberdeen | |
2016 – 2017 | Is To Finish by Fuora Dance Company. Performed at Cottiers Project 2016 and at Teatro Trieste, Piacenza, Italy, 2017. | |
2011 – 2015 | Between Us, solo cello score for choreography by Emma Snellgrove at E-Motion, performed at Dancebase, Edinburgh Fringe Festival 2011, 2012 & 2015. Also performed at DanceLive Festival, Aberdeen, 2014 | |
2015 | Place of Gargoyles, solo cello score for choreography by Steinvor Palsson WHOLLY:LAND, hosted by Dancebase at St. Giles Cathedral, Edinburgh Hogmany New Year celebration 2015 | |
2014 | Gesture, solo cello score for choreography by Mhairi Allan, in response to photography by Colin Thom. DanceLive Festival, Aberdeen | |
2013 – 2014 | Bone Garden residency in collaboration with choreographer Tara Hodgson at Dancebase, Edinburgh, 2013. Performance at DanceLive Festival, Aberdeen, 2014 | |
2014 | Red Hands Green Hands solo cello score for choreography by Emma Snellgrove, Dancebase, Edinburgh Fringe Festival | |
2014 | After Birth, in collaboration with Emma Snellgrove, at Inverleith Gallery, Edinburgh | |
2006 | Original score for The Love of The Nightingale by Theatre Paradok, Roxy Art House, Edinburgh. | |
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Event Scores
2019 | Saturn , solo cello performance to a large painting Saturn by Rose Strang. Summer Hall, Edinburgh | |
2017 | Winter Series, solo cello performance of 12 short pieces accompanying 12 new paintings by Rose Strang. Whitespace gallery, Edinburgh | |
2016 | Boarders and Green woods, solo cello performances in response to the paintings by Rose Strang. Whitespace gallery, Edinburgh | |
2015 | Boarders and Green woods, solo cello performances in response to the paintings by Rose Strang. Whitespace gallery, Edinburgh | |
2015 | Isle of Eigg, in collaboration with painter Rose Strang. Sharing of string quartet piece Gaea Metempsychosis. Scottish Storytelling Centre | |
2013 – 2014 | Isle of Eigg, solo cello performances in response to the paintings by Rose Strang. Whitespace gallery, Edinburgh. Second Performance at Marchmont Gallery exhibition opening, Edinburgh | |
2013 | DECAGRAM Overture and DECAGRAM finale, a full orchestral score for a 20 minute piece involving 10 bands and 16 piece orchestra. Premiered at the Queens Hall, Edinburgh Fringe Festival | |
2012 | Original score for Noor, for cello and tabla. A dance production by Theatre Labyrinth, Scottish Story Telling Centre, Edinburgh | |
2011 | Music for Noir 9 fashion show, Summerhall, Edinburgh Fringe Festival | |
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Cello Performances
2021 | Planetarians by Ellie Kyungran Heo, LUX Moving Image, London Glasgow Improvisers Orchestra GIOfest XIV, CCA Glasgow | |
2020 | Edinburgh Contemporary Music Ensemble concert | |
2019 | Something Smashing Score lines with Monika Smekot and Nina Enemark Glasgow Improvisers Orchestra GIOfest XIII Coel’s Craic, with Glasgow Improvisers Orchestra, CCA Glasgow Glasgow Jazz Festival with Glasgow Improvisers Orchestra Creative Informatics showcase with Esther Swift and Dave House Siobhan Wilson, Summer Hall Shorline of Infinity, Cimyra Festival, University of Edinburgh | |
2018 | Something Smashing Sustain Your Errors, performance at exhibition and workshops by Cicely Farrer Orcadiana by Harry Josephine Giles, OY Festival, Orkney Millefiori, performance of a graphic score by Claire Docherty Cover cellist for Damascus String Quartet, the Scottish Parliament, Edinburgh Arts Festival Siobhan Wilson, Pitlochry Folk Festival | |
2017 | Atzi + The Reverse Engineer at Syn Festival Edinburgh 2017, Hidden Door Festival 2017 | |
2015 | From a Farrow Field, WWI memorial by Drew Mulholland, at Glasgow University Chapel | |
2013 | Ticky Ting, solo cello performance accompanying contemporary poetry piece by Ian Morrison at Syndicate, Inspace Gallery, Edinburgh | |
2013 | My Life and Poetry (&Perfume), solo cello and electric guitar duet at a reading event hosted by the Scottish Poetry Library at the Edinburgh Botanic Gardens | |
2012 | ‘Art Late’: PLEATS PLEASE Issey Miyake with Callum Innes, Edinburgh International Fashion Festival | |
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Recording Credits
2021 | Atzi and Zac Gvi: Borderlights | |
2020 | Atzi + The Reverse Engineer: Live at Syn Festival, Edinburgh, 2017 | |
2019 | Zed Penguin: A Ghost, A Beast Atzi Muramatsu and Fritz Welch: CREATURE | |
2018 | Glasgow Improvisers Orchestra: Parallel Moments Unbroken | |
2017 | Sàmhach String Quartet: Sàmhach Quartet Rab Noakes: The Treatment Tapes EP Glasgow Improvisers Orchestra: The World For It Now | |
2013 | Lipsync for a Lullaby: The Lonely Blues | |
2012 | Zed Penguin: Clarinda Dressing on E.P. Red Tulip, Yellow Tulip Steve Adey: The tower of silence | |
2011 | Tokamak: void-fi on E.P. KAMAKOT | |
2010 | Royal Edinburgh Music: Lost Bob Hillary and the Massive mellow: I feel light on album Nature’s pace | |
2009 | Soraiya: Borderline of dreams on album Find Me There Rodorigo Braga: Soothe and Onda Nova on album Between the waves | |
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